Catasauqua Press

Thursday, May 25, 2017

Hubert Davis, forgotten artist, at PSU LV

Thursday, May 4, 2017 by ED COURRIER in Focus

“Hubert Davis: Scenes of Pennsylvania” brings the forgotten paintings and lithographs created by a Pennsylvanian-born artist to public view at the Ronald K. De Long Gallery at Penn State Lehigh Valley. The exhibit, which highlights works Davis created for the Works Progress Administration (WPA) in the late 1930s and early 1940s, continues through June 9.

Allentown Central: ‘Anything Goes’

Friday, April 14, 2017 by ED COURRIER in Focus

“Anything Goes,” with music and lyrics by Cole Porter, cruises to the stage at Allentown Central Catholic High School, at 7 p.m. April 20, 21 and 2 and 7 p.m. April 22, auditorium, Allentown Central Catholic High School, 301 N. Fourth St., Allentown.

Written by Guy Bolton and P.G. Wodehouse, later revised by Howard Lindsay and Russel Crouse, the musical comedy debuted on Broadway in 1934.

Joseph Elliott’s photographs ‘Monumental’ at Muhlenberg Martin Gallery

Friday, April 7, 2017 by ED COURRIER in Focus

Says Joseph E.B. Elliott of “Monument and Ephemera,” a retrospective of his work: “The thread through all of it is exploration of places that people don’t normally explore: industrial sites, industrial landscapes, older urban interiors, structures and places that people don’t normally get inside.”

The exhibition of three decades of Elliott’s photographic work continues through April 22, Martin Art Gallery, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown.

3 x 3: Diverse views, diverse artists in Muhlenberg College galleries

Friday, March 3, 2017 by ED COURRIER in Focus

Three separate exhibitions are on view in Baker Center for the Arts, Muhlenberg College, Allentown. These are diverse views and diverse artists, each with a distinct perspective.

AM DeBrincat’s “Speculative Fiction” is on display in the Galleria Lobby.

Patricia Satterlee’s “Already Gone” is also in the Galleria.

George Afedzi Hughes’ “Urban Allusions” is in Martin Art Gallery.

In “Speculative Fiction,” continuing through March 27, DeBrincat assembles mixed media paintings with images taken from analog and digital archives and blends them together.

‘Gardens’ grow at Civic514

Friday, December 30, 2016 by ED COURRIER in Focus

“My art is intended to inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined,” says Ronald K. De Long in his artist’s statement.

De Long’s newest series of oils on canvas, “Les Jardins des Paradis” (“Paradise Gardens”), is on view through Jan. 2, Civic 514 Gallery, 514 N. 19th St., Allentown.

De Long decided to create “gardens that didn’t exist in reality.

“I didn’t want to recreate real gardens because I can’t do anything better than the ‘Big Guy Upstairs,’” says De Long, a Bethlehem native.

Allentown ArtsWalk views of 2016 Presidential Election

Friday, November 18, 2016 by ED COURRIER in Focus

Allentown’s “Great Art Night” ushered in gallery receptions for “Hues of Red and Blue: The 2016 Presidential Election.”

The juried show at the Priscilla Payne Hurd Gallery in the Allentown Art Museum of the Lehigh Valley was held in conjunction with additional politically-themed works at the RE:find Gallery along the Allentown ArtsWalk.

36th annual ‘First Frost’ brings model-railroaders to Agri-Plex

Friday, November 11, 2016 by ED COURRIER in Focus

The “First Frost Train Meet” chugs into the Agri-Plex, Allentown Fairgrounds, 17th and Liberty streets, Allentown, 9 a.m. - 4 p.m. Nov. 12 and 9 a.m. - 4 p.m. Nov. 13.

More than 50,000-square-feet of tables and displays are expected in what is one of the East Coast’s larger model-train shows.

After 14 years, Sienzant returns

Friday, November 11, 2016 by ED COURRIER in Focus

“Who‘s Afraid of Yellow?,” Civic 514 Gallery, 514 N. 19th St., Allentown, is Tony Sienzant’s first solo show in 14 years.

Sienzant states that his work “has evolved from minimal paintings based on the X symbol to one maximizing divergent styles, mediums and techniques.”

He declares that, “I am open to any tool, any method, any means, any material, any medium - high or low - to achieve the sublime state of not knowing what I’m looking at.”