The $10 price for a lifetime “America the Beautiful - The National Parks and Federal Recreational Lands Senior Pass” is set to increase dramatically for those 62 years or older.
The “Interagency Senior Pass,” formerly the “Golden Age Passport,” is available for purchase for $10 through Aug. 27. The price of the Senior Pass has been $10 since 1994.
Legislation passed in December 2016 will bring up the price tag to $80 beginning Aug. 28.
Thomas Mann, Penn State Lehigh Valley Artist in Residence for July 2017, is at the heart of several art events throughout the Lehigh Valley this summer. The former Allentown resident and a successful jewelry designer and sculptor moved to New Orleans after attending a jazz fest there in 1977.
Reel life comes to the stage with “Puttin’ On the Ritz: A Salute to the Golden Age of the Silver Screen,” through July 2, The Pines Dinner Theatre, Allentown.
The well-paced musical revue of movie themes and show tunes from the days of silent films through World War II is brought to the cozy stage by the cast of Monica Handwerk, Dante Hill, Taylor Hopkins and Katherine Tabisz.
Deja Views: ‘Vision-Sound Revisited’ looks at Allentown’s 1980s arts scene with exhibits, concert, discussion
The Lehigh Valley will be experiencing a sense of déjà vu when the 1980s return this summer to Allentown.
“Vision-Sound Revisited: Allentown’s ’80s Art Scene,” June 14 - Aug. 2, is a collaboration between the Muhlenberg College Martin Art Gallery, The Baum School of Art, The Allentown Art Museum of the Lehigh Valley, and The Cigar Factory Alternative Gallery.
“Hubert Davis: Scenes of Pennsylvania” brings the forgotten paintings and lithographs created by a Pennsylvanian-born artist to public view at the Ronald K. De Long Gallery at Penn State Lehigh Valley. The exhibit, which highlights works Davis created for the Works Progress Administration (WPA) in the late 1930s and early 1940s, continues through June 9.
There’s murder afoot on the stage at Notre Dame High School with “Curtains,” a play-within-a-play musical comedy, at 7 p.m. April 20, 21 and 2 and 7 p.m. April 22, auditorium, Notre Dame High School, 3417 Church Road, Easton.
With music by John Kander, lyrics by Fred Ebb, and written by Rupert Holmes, “Curtains” is based on the book and concept by Peter Stone.
“Anything Goes,” with music and lyrics by Cole Porter, cruises to the stage at Allentown Central Catholic High School, at 7 p.m. April 20, 21 and 2 and 7 p.m. April 22, auditorium, Allentown Central Catholic High School, 301 N. Fourth St., Allentown.
Written by Guy Bolton and P.G. Wodehouse, later revised by Howard Lindsay and Russel Crouse, the musical comedy debuted on Broadway in 1934.
Says Joseph E.B. Elliott of “Monument and Ephemera,” a retrospective of his work: “The thread through all of it is exploration of places that people don’t normally explore: industrial sites, industrial landscapes, older urban interiors, structures and places that people don’t normally get inside.”
The exhibition of three decades of Elliott’s photographic work continues through April 22, Martin Art Gallery, Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown.
Three separate exhibitions are on view in Baker Center for the Arts, Muhlenberg College, Allentown. These are diverse views and diverse artists, each with a distinct perspective.
AM DeBrincat’s “Speculative Fiction” is on display in the Galleria Lobby.
Patricia Satterlee’s “Already Gone” is also in the Galleria.
George Afedzi Hughes’ “Urban Allusions” is in Martin Art Gallery.
In “Speculative Fiction,” continuing through March 27, DeBrincat assembles mixed media paintings with images taken from analog and digital archives and blends them together.
“My art is intended to inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined,” says Ronald K. De Long in his artist’s statement.
De Long’s newest series of oils on canvas, “Les Jardins des Paradis” (“Paradise Gardens”), is on view through Jan. 2, Civic 514 Gallery, 514 N. 19th St., Allentown.
De Long decided to create “gardens that didn’t exist in reality.
“I didn’t want to recreate real gardens because I can’t do anything better than the ‘Big Guy Upstairs,’” says De Long, a Bethlehem native.