While many Harry Potter fans may love “Fantastic Beasts and Where To Find Them,” this Harry Potter fan did not. To put it simply: “Fantastic Beasts and Where To Find Them” is one of the worst films of 2016.
A “Harry Potter” film was an event for my son, Elias, and me. After graduating Magna cum laude in Honors Chemistry from Moravian College, Elias is studying for a PhD in chemistry at graduate school. Elias is doing his own wizardry. So, your intrepid reviewer had to go it alone.
After you depart “Arrival,” you may wonder what you just saw.
I really can’t help you there, not only because it would set off multiple Spoiler Alerts as you read this review (and that would be annoying), but because, having seen the extraordinary film, “Arrival,” I am still pondering what I saw.
The Lehigh Valley Trust Building was a magnificent setting for the launch of a magnificent new project for Civic Theatre of Allentown: “The Next Act: Setting the Stage for the Future,” a $5.5-million Capital Campaign to return “the historic 19th Street Theatre to its original splendor as a landmark arts facility and focal point of Art Deco architecture.”
The capital campaign is said to be the most ambitious project in the history of the 88-year-old theater.
“Dr. Strange” is one of 2016’s most visually-spectacular movies.
At family picnics at my maternal grandparents’ house in Fullerton, Whitehall Township, Uncle Tom didn’t talk much about his military service in the South Pacific Theater during World War II, or when he tried to, after a beer, he would start sobbing quietly.
See director Mel Gibson’s landmark film, “Hacksaw Ridge,” and you will get a sense of why many veterans of “The Greatest Generation” have been reluctant to talk about what they did during the war.
You could sense the aroma in the lobby of Touchstone Theatre, Bethlehem.
Who’s wearing Patchouli?
The Touchstone stage.
There, incense was wafting, votive candles to the saints burned and three skull replicas and a cross and a sign that stated “No guacamole for immigrant haters” were among the props for ”Aliens, Immigrants, and Other Evildoers,” before José Torres-Tama took the stage for his rowdy one-man show that continues at 8 p.m. Nov. 4 and 5 and 2 p.m. Nov. 6, Touchstone Theatre, 321 E. Fourth St., Bethlehem.
“Jack Reacher: Never Go Back” is not much of a reach for actor Tom Cruise.
The action-thriller is well within the wheelhouse of Cruise. As with the original “Jack Reacher” (2012), the sequel is a kind of low-rent “Mission: Impossible,” of which Cruise has made five since 1996 with a sixth in pre-production.
The character of Jack Reacher is more simplistic, working-class and not as suave as Ethan Hunt, the James Bond inspired protagonist of “Mission: Impossible.”
Hear Jimmy Webb sing “Didn’t We,” as he recounts how the song is from the second act of a never-performed college musical. Then hear Sinatra sing “Didn’t We,” with a dry as Jack Daniels vocal and Don Costa arrangement and let the chill bumps start.
Listen to Webb’s intro to “The Worst That Could Happen” as he talks about Johnny Maestro introducing 40 guys “all in maroon blazers,” former members of the Brooklyn Bridge, which took the song to No. 3 in 1969.
Aficionados of “The Rocky Horror Show” probably can’t do better than to see, or rather, experience Bucks County Playhouse’s production, which continues through Oct. 30 in New Hope.
This is a Broadway-quality production with great performances by an incredibly-talented cast, super stage values and an on-stage sizzling four-piece rock band led by the show’s Music Director Will Shuler, who conducts and plays keyboards, with Sound Design by Bart Fasbender.
There’s no denying the power of “Denial.”
“Denial” is based on a true story about Holocaust denier David Irving (Timothy Sprall in a pivotal role of muted churlishness), who sued author and university professor Deborah E. Lipstadt (radiant Rachel Weisz in an Oscar nominee-worthy role) for libel.
The author’s publisher, Penguin Books, assembled a crack defense team led by barrister (Andrew Scott), who represented Lady Diana in her divorce case, and solictior (a focused Tom Wilkinson, possible supporting Oscar actor nominee).