Follow the yellow brick road to “The Wizard Of Oz,” 7 p.m. April 26, 27, 28 and 2 p.m. April 29, auditorium, Liberty High School, 1115 Linden St., Bethlehem.
With music and lyrics by Harold Arlen and E. Y. “Yip’” Harburg, and background music by Herbert Stothart, the musical is based on L. Frank Baum’s 1900 novel, “The Wonderful Wizard of Oz,” and adapted by John Kane from the 1939 movie, “The Wizard Of Oz,” for the Royal Shakespeare Company (RSC) in 1987.
Touchstone Theatre is holding a “telethon” on stage through April 15 for a very unworthy cause, that is, celebrating political tyrants, and raising funds so that their children’s despotic dreams can come true.
The “Tyrants of Tomorrow Telethon” is the fictional setting for the musical satire, “Dictators 4 Dummies,” written and directed by Christopher Shorr, with input from his fellow Touchstone company members. The April 6 performance of the world premiere production was seen for this review.
I was reminded of just how superb Neil Simon is as a playwright when I attended Pennsylvania Playhouse’s impressive staging of “Brighton Beach Memoirs,” a semi-autobiographical comedy about a Jewish teenager growing up in the turmoil of a Great Depression-era Polish-American family.
“Brighton Beach Memoirs,” through April 22 at the Playhouse, is full of hilarious one-liners, as well as Simon’s unfailing insights into the human condition.
“Ready Player One” is an elaborate, labyrinthine, challenging movie. In some ways, “Ready Player One” is a non-movie. Rather, it’s a cinematic videogame.
Its storyline is about a complicated virtual reality videogame played in real time, simulataneously in the real world and in the virtual world. It’s a movie that folds back on itself, turns inside out, moves backwards and forwards, up and down, and sideways with plot twists and visual twists that wiil test the most attentive movie-goer.
“Bright Beach Memoirs” is the classic coming-of-age tale of 15-year-old Eugene Morris Jerome as he navigates life with his family in 1937 Brooklyn.
The Neil Simon semi-autobiographical play has been a comedy favorite since it debuted on Broadway in 1983.
“Brighton Beach Memoirs” is presented April 6, 7, 13-15, 19-22, The Pennsylvania Playhouse, Bethlehem. Curtain times are 7:30 p.m. Thursday, Friday, Saturday and 3 p.m. Sunday.
The Dave Roper Trio performs 3 p.m. April 8, second floor sanctuary, The Unitarian Universalist Church of the Lehigh Valley, 424 Center St., Bethlehem. Roper, piano, will be joined by Paul Rostock, bass, and Gary Rissmiller, drums.
Tickets: at the door; concertseries.uuclvpa.org; 610-866-7652
The Machine, a Pink Floyd tribute band in its 30th year, has sold out theaters and clubs across North and Central America, Europe and Asia, and appeared at music festivals, including Bonnaroo, Riverbend, Gathering of the Vibes, and Germany’s “Rock of Ages.”
“The Machine: America’s Premiere Live Pink Floyd Experience” stops at 8 p.m. April 6, Miller Symphony Hall, Allentown.
Expect to hear a mix of Pink Floyd’s extensive 16-album repertoire, including faithful renditions of popular hits and obscure gems. States Spin magazine: The Machine “sounds exactly like Pink Floyd.”
Parkland High School rings in “The Hunchback of Notre Dame” at 7:30 p.m. April 11, 12, 13, 14 and 3 p.m. April 15, auditorium, Parkland High School, 2700 N. Cedar Crest Boulevard, Allentown.
With music by Alan Menken, lyrics by Stephen Schwartz, and book by James Lapine (1999) and Peter Parnell (2014), the musical is based on “The Hunchback of Notre-Dame,” the 1831 novel by Victor Hugo and features songs from the 1996 Walt Disney animated film adaptation.
“Getting Grace” might very well be the first nationally-released feature movie to be filmed entirely in the Lehigh Valley.